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"'kolia' shows thomas's skills in the creation of moods - electronica as a skeletal structure, enriched with a large variety of rhythmic patterns; from slow downtempo beats to fast breaks. chords and harmonies make sure that the tunes are recognizable and unique. finally, the economical usage of samples in the musique concrete tradition complete nebulo's concept perfectly. this might be europe's response to well acknowledged acts like lusine icl or the late gridlock. especially if their sound was melted with the deep red flavour of an old bordeaux wine and the playfulness of french tin toy"